Il nostro amor

Dopo la "vita caduta nell'oscurità" dello scorso post, direi che un po' di tristezza ci sta, e oggi con 我们的爱 | Wǒmen de ài, appunto "il nostro amore", abbiamo una storia finita male, con lei che "da quel giorno mi son dimenticata di respirare". La traduzione, come avrete intuito solo in Italiano, risale al 27/3/19. Vediamo!

回忆里想起 模糊的小时候 云朵漂浮 在蓝蓝的天空 那时的你说 要和我手牵手 一起走 到时间的尽头 * 从此以后 我都不敢抬头看 仿佛我的天空 失去了颜色 从那一天起 我忘记了呼吸 眼泪啊永远不再 不再哭泣 # 我们的爱 过了就不再回来 直到现在 我还默默的等待 我们的爱 我明白 已变成你的负担 只是永远 我都放不开 最后的温暖 你给的温暖 * # 不要再问 你是否爱我 现在我想要 自有天空 远离开 这被捆绑的世界 不再寂寞 #

Huíyì lǐ xiǎngqǐ Móhú de xiǎoshíhòu Yúnduǒ piāofú Zài lánlán de tiānkōng Nà shí de nǐ shuō Yào hé wǒ shǒu qiān shǒu Yīqǐ zǒu Dào shíjiān de jìntóu * Cóngcǐ yǐhòu Wǒ dōu bù gǎn táitóu kàn Fǎngfú wǒ de tiānkōng Shīqùle yánsè Cóng nà yī tiān qǐ Wǒ wàngjìliǎo hūxī Yǎnlèi a yǒngyuǎn bù zài Bù zài kūqì # Wǒmen de ài Guòle jiù bù zài huílái Zhídào xiànzài Wǒ hái mòmò de děngdài Wǒmen de ài wǒ míngbái Yǐ biànchéng nǐ de fùdān Zhǐshì yǒngyuǎn Wǒ dōu fàng bù kāi Zuìhòu de wēnnuǎn Nǐ gěi de wēnnuǎn * # Bù yào zài wèn Nǐ shìfǒu ài wǒ Xiànzài wǒ xiǎngyào Zìyǒu tiānkōng Yuǎn líkāi Zhè bèi kǔnbǎng de shìjiè Bù zài jìmò #

Ho un ricordo vago
Della mia gioventù,
Colle nubi che
Volavan nel cielo blu
Allor mi dicevi tu
Che, mano nella man,
Volevi star
Con me fino alla fin

* D'ora in poi
Non oso più guardare in su
Par che il cielo mio
Colore non ha più
Io da quel giorno
Non so più respirar
Lacrime io non dovrò
Mai più versar

# Il nostro amor
Non ritornerà mai più
Fino ad ora
In silenzio atteso l'ho
Il nostro amor, capisco,
Come un peso lo senti tu,
Ma in eterno
Lasciare non potrò
L'ultimo calor ~~
Di quel tuo amor

＊

＃

Più non voglio saper se m'ami
Ora un libero cielo voglio
Fuggir voglio da un mondo in catene
E non esser più sola

#

Who can escape this world's sadness?

The title, which is a line in the song, ties in well with the sadness in the latest songs. The song is 新鸳鸯蝴蝶梦 | Xīn yuānyāng húdié mèng, "New dream of lovebirds", and I translated it to English on 1/8/19, starting at 21:41 with a little bit, picking it up again at 23:28 and finishing it, carrying over into the night, the last thing being at 0:35, which at that point was 2/8/19. Let's see it!

昨日像那东流水 离我远去不可留 今日乱我心多烦忧 抽刀断水水更流 举杯消愁愁更愁 明朝清风四飘流 由来只有新人笑 有谁听到旧人哭 爱情两个字好辛苦 是要问一个明白 还是要装作糊涂 知多知少难知足 看似个鸳鸯蝴蝶 不应该的年代 可是谁又能摆脱 人世间的悲哀 花花世界鸳鸯蝴蝶 在人间已是癫 何苦要上青天 不如温柔同眠

Zuórì xiàng nà dōngliúshuǐ Lí wǒ yuǎn qù bù kě liú Jīnrì luàn wǒ xīn duō fányōu Chōu dāo duàn shuǐ shuǐ gèng liú Jǔ bēi xiāo chóu chóu gèng chóu Míngcháo qīng fēng sì piāoliú Yóulái zhǐyǒu xīnrén xiào Yǒu shéi tīng dào jiùrén kū Àiqíng liǎng gè zì hǎo xīnkǔ Shì yào wèn yī gè míngbái Háishì yào zhuāngzuò hútú Zhī duō zhī shǎo nán zhī zú Kànsì gè yuānyāng húdié Bù yìnggāi de niándài Kěshì shéi yòu néng bǎituō Rén shìjiān de bēi'āi Huāhuā shìjiè yuānyāng húdié Zài rénjiān yǐ shì diān Hékǔ yào shàng qīngtiān Bùrú wēnróu tóng mián

Yesterday just like a stream
Flowed so far away from me,
My heart's beating on grievingly.
Cut by knives, a stream flows on,
Try to drown it, pain will grow
Soft wind everywhere will blow

You just hear new couples laugh,
Who can hear old couples weep?
Love is a hard path and so steep.
Do you want to understand
Or confusion to pretend
And never know enough in the end?

It looks like lovebirds to be
Is in vain in this day,
But who's there who
From this world's sadness can run away?
In this bustling world lovebirds indeed
Act very crazily:
To the bright sky why flee,
And not sleep together tenderly?

A life has fallen into the darkness

Changing Chinese dialect, we hop into Cantonese and find ourselves confronted with 上帝也哭泣 | Soeng6-dai3 jaa5 huk1-jap1, a song whose Mandarin version I already posted over 4 months ago now.

• «I met this while searching Youtube for the Mandarin version, and it was my first clash with Cantonese. That was no later than Dec 9 2011. I tried my hand at an English version soon afterwards, got it drastically corrected, and ended up with what you see below», said the blog.
• So, there is a 9/11/11 16:29 email with the first literal translation of the song, which is then drastically corrected by a 12/11/11 16:56 email from my corrector of the time.
• The next email is from 9/12/11 22:10, and contains the first appearance of a musical translation.
• Unfortunately, the diary simply mentions Chinese in every entry from 13/11 to that day, save for saying «Cantonesem cantionem melius paro» (I better prepare the Cantonese song) on 13/11. I don't know whether to assume that 13/11 was the day I made the musical translation, or that when I readied the billion different romanizations of it.
• Though the 2/12 diary entry's «IPA transcribens quomodo Wáng Jié carmen Cantonense canens pronuntiet» (transcribing in IPA how Wáng Jié pronounces the Cantonese song) seems to somewhat suggest that 2/12 was transliteration day, so… maybe I just corrected the literal translation on 13/11, or maybe I translated it. I really cannot tell.
• As it turns out, I made a translation during English class on 26/11. That was the original translation you find on the left (aka the email's version), aside from «Every heart and the city's heart are broke» and «’Midst all their shouts, runnin' fast in th' years, / In annoyance and shock and fear».
• On 19/12 my corrector visits me and apparently we discuss this, because in the corrections file from 31/12/11 10:21, supposedly metabolizing the 19/12 corrections, we have the change «Hesitations why complain?» -> «Why don’t you boldly complain?».
• Then we have more mails. One on 9/1/12 22:16 from me, attaching the corrections file, and one from 30/1/12 8:30, which suggests exactly zero corrections to this part of the corrections file.
• So now we go into the "main-line" files, and end up on 28/7/12, I suppose. 28/7/12 11:01, and we're back at the original, except «Once cut» becomes «Once cut off».
• 5/8/12 19:26 file only reimplements that single change of the corrections file.
• The other changes only happen between the 8/5/13 22:08 file and the 9/7/13 12:22 one.

Enjoy!

谁始终不理是谁呐喊？ 夜里灯光仿似不再灿烂。 这悲痛城市，一息间暗淡， 旧时人们的笑颜。 破灭时， 随落泊感叹甜梦 已飘散。 谁飘涌这里未能别去？ 被困孤岛仿似早已判罪， 争执与迷惘，归家的眼泪， 为何犹豫的怨谁？ 却未明 城内每一个同样 心碎。 哦 看上帝哭泣， 人们苦难时日， 骤看苍生，每双眼 同在啜泣！ 模糊的光阴，似下雪的心， 同样晦暗今已染着尘。 无声光阴，殒落了的心， 求你会指引亮透天暗昏。 模糊的光阴，似下雪的心， 藏在每个失意过路人， 人声纷纷岁月里飞奔， 同在困恼抖震害怕 一生扑进黑暗！ Who doesn’t ever think who’s crying? The night’s light seems to have lost its brightness. This crying city, gets gloomy in a blink, And the smile of people old. Once cut, With frustrated sighs, sweet dreams Have gone off. What whirlwind surge here can’t go elsewhere? The besiegèd isle seems long convicted, Confused, disputing, and crying for home, Hesitations why complain? In this city unknown, Each one’s heart’s broke Right now. Wo-oh see how God doth cry! When the people do grieve, You see every pair of eyes Together cries! Now a fuzzy time, like the heart of snow, Gloomy and dark, this world’s dirt has caught. A silent time, and a heart that’s died, I you ask to guide light through a sky faint and dark! Now a fuzzy time, like the heart of snow, Hidd’n in all frustrated passers-by, ’Midst all their shouts, flying fast through years, It annoys and doth shock and fears One life has flown in th’ dark!

Seoi4 ci2-zung1 bat1 lei5 si6 seoi4 naap6-haam3, Je6 leoi5 dang1-gwong1 fong2-ci5 bat1 zoi3 can3-laan6, Ze5 bei1-tung3 sing4-si5, jat1 sik1 gaan1 ngam3-daam6, Gau6-si4 jan4-mun4 dik1 siu3-ngaan4, Po3-mit6 si4, Ceoi4 lok6-bok6 gam2-taan3, tim4 mung6 Ji5 piu1-saan3. Seoi4 piu1-jung2 ze5-leoi5 mei6 nang4 bit6 heoi3, Bei6 kwan3 gu1-dou2 fong2-ci5 zou2-ji5 pun3-zeoi6, Zaang1-zap1 jyu5 mai4-mong5, gwai1 gaa1 dik1 ngaan5-leoi6 Wai6-ho4 jau4-jyu6 dik1 jyun3 seoi4 Koek3 mei6-ming4 Sing4 noi6 mui5 jat1 go3 tung4-jeung6 Sam1-seoi3. O2/4 hon3 Soeng5-dai3 huk1-jap1, Jan4-mun4 fu2-naan4 si4-jat6, Zaau6 hon3 cong1-sang1, mui5 soeng1 ngaan5, Tung4 zoi6 zyut3-jap1! Mou4-wu4 dik1 gwong1-jam1, ci5 haa5-syut3 dik1 sam1, Tung4-jeung6 fui3-ngam3 gam1 ji5 jim5-zoek6 can4, Mou4-sing1 gwong1-jam1, wan5-lok6-liu5 dik1 sam1, Kau4 nei5 wui4 zi2-jan5, loeng6 tau3 tin1 ngam3-fan1, Mou4-wu4 dik1 gwong1-jam1, ci5 haa5-syut3 dik1 sam1, Cong4 zoi6 mui5 go3 sat1-ji3 gwo3-lou6-jan4, Jan4 sing1 fan1-fan1, seoi3-jyut6 leoi5 fei1-ban1, Tung4 zoi6 kwan3-nou5 dau2-zan3 hoi6-paa3, Jat1-sang1 pok3-zeon3 hak1-ngam3! Who doesn’t ever think who’s crying? The night’s light seems to have lost its brightness. This crying city, gets gloomy in a blink, And the smile of people old. Once cut off, With frustrated sighs , sweet dreams Have gone off. What whirlwind surge here can’t go elsewhere? The besiegèd isle seems long convicted, Confused, disputing, and crying for home, Why don’t you boldly complain? In this city unknown, Each one’s heart’s broke Right now. Wo-oh see how God doth cry! When the people do grieve, You see every pair of eyes Together cries! Now a fuzzy time, like the heart of snow, Gloomy and dark, has been catching dust. A silent time, and a heart that’s died, Ask you to guide light through a sky faint and dark! Now a fuzzy time, like the heart of snow, Hidd’n in all frustrated passers-by, ’Midst all their shouts, flying fast through years, It annoys and doth shock and fears One life has flown in th’ dark!

My future is no dream

And today we have yet another Mandarin song, 我的未来不是梦 | Wǒ de wèilái bù shì mèng, "My future is not a dream", which I met in the same timespan as "the last one" (aka Dahai), which was supposed to be posted just before this one except I then inserted three others in between.

1. I translated to English again within the same timespan; or did I?
   
   • Well, for both songs the first record is the 24/10/11 email sent to my corrector; however, the diary is unclear on both, but more so on Dahai; on this one, we have the 15/10 entry explicitly mentioning it: «Inde carmen sinense novum incipio Wǒ de wèilái bú shì mèng. Quod cras terminabo, cum tempus liberum mi multum sit» (then I start a new Chinese song, Wŏ de wèilái bú shì mèng, which I will finish tomorrow, since I have a lot of free time); this is unclear on whether I was starting the English translation or the decipherment; Dahai is in pretty much the same situation, since the entries on 28/9 and 30/9 mention "a new Chinese song" without the title, but we know that the one I did before Dahai was both translated and deciphered within 19/9, so this could only have been Dahai; again, it's unclear whether I was starting the translation or the analysis/decipherment; so "same timespan" will depend on what each of these "I begin / I continue" means, and how tight you want to define the timestamp; the fact the diary never mentions Chinese from 3/10 to 14/10, excluding mentioning the Hanzi table I was making on 12/10 and the doubtful «aut officia aut Sinensem aut sbobinationem» (either homework or Chinese or that recording transcription) of 2/10, suggests there was a big gap between this song and Dahai;
   • At any rate, the first recorded version is the one in the email, which is exactly what ended up on the blog;
   • The files are a bit of a mess, in the sense that we have two parallel lines, one of translations from Chinese and from Japanese, which eventually got split into two, and one with only translations from Chinese (or to Chinese); the former line has «all day busy searching», all the way to the blog, whereas the second one, which first sees the song in the 27/11/11 15:53, has «busy all day searching», all the way to its end in Summer 2012;
   • On 10/9/18, as I ready the draft for this post, «I never have forgot myself, / The promise I have made» turns to its current form at 0:47, and both «Quam hæram amori» and «How I stick to love» do the same at 0:52;
   • We then have the recording-session changes listed below, leading to the version in my video;
   • The last change to the English is when, at some point on 27-28/11/21, I decide to make the second series win all these years lkater, and reimplement that «busy all day searching»;
2. This time though, I also have a Latin translation, which is pretty unique for songs, and that translation I can only date to before my schooltrip to Monaco, where it came back to my mind, and that trip was in Feb 2012; let's see what the files say;
   
   • The first record this time is in a 31/10/11 12:45 file, which contains the original version below; it is actually entirely unclear whether this was done before or after the English, since the emails always drop non-English translations, but I'd assume I started with the English and went with Latin as a column-filler (which is what it was here before the more recent translations popped up and I decided to side up the two Latins); indeed, the mega-intro states «Wǒ de wèilái bù shì mèng fu tradotta in Latino poco dopo che in Inglese» ([this song] was translated to Latin shortly after [being translated] to English);
   • The only change that happens before August is the change «haud esse quod fiet» -> «haud est quod mi fiet», which appears in a file from the only-Chinese series on 27/11/11 15:53;
   • The 28/7/12 11:01 file would be the next record, if it weren't for the fact that, for whatever reason, it completely forgets about the Latin version, and leaves an empty column for a new translation; is it possible that I actually remade the translation from scratch, having forgotten about its existence? Or did I possibly change it during the trip to Munich, when I thought back to it and (IIRC) sang it in the metro?
   • The printout of that file from 25/7 contains a translation dated to 25/7 by the mega-intro; since there are no changes made in here that get reverted in the Middle version, I will assume the older version was just lost and remade; aside from «alii» being «alji», «spej» being «spe͞i», and «serje» being «serie», the only differences from printout to Middle below are «Esn’, ut me, toto die in quæstïone» having «totum diem» and «Trivïisqu’ abjebam et redïebam» being «Triviisqu'iebam ac rediebam»;
   • In any case, the 5/8/12 19:26 file not only makes the Chinese-only series win (which contrasts with what happened with the English), but makes a huge amount of changes, giving us the middle version… almost;
   • The middle version actually appears in the next file, from 18/8/12 at 15:27, where the extra change «Oblitus numquam sum mei» -> «Nam numquam me oblitus sum» appears; note how the original of that line was «Oblitus numquam sum de me», much more similar to the 5/8 version;
   • That is also the original blog version, save for the fact that, as I ready this post's draft on 10/9/18, I think that «Nam numquam me oblitus sum», with the object before the verb, obscures the coordination with the other objections, so I rework that line; pity that I have to imply the "sum"; it's 18:51 btw;
   • Then, around 0:50 on 20/6/21, I make tweaks, getting «Esn’, ut me, toto die in quæstïone» to «Esn' ut me, qui perenni in quæstu sum» at 0:46 (and then to its current form at 1:18/19 on 21/6/21), «Oblitus enim numquam me, / Promissiones mëas» at 0:48, and both «Quam hæram amori» and «How I stick to love» at 0:52, in this order;
   • The final bout of changes is the recording-session changes listed below, which finally get us to the current blog version;
3. Then, under the influence of Scorpiō Mārtiānus, on 27/8/21 in the dead of night I start the first two lines, then on 29/8/21 at 0:10-0:55 I finish a first version, which I tweak on 30/8 around 11:45 and 20:07, as well as on 31/8 around 16, and on 2/9 at 17:15 and shortly before 19:15;
4. So, now we have Chinese and transliteration, then we want to side the Latins… what do we side with the English? Welp, turns out one of my friends from Chinese class is actually Albanian, so Albanian it is; 30/8/21 17:41-18:04 and the following night 1:59-2:28 we have everything up to l. 2 of section 3 as well as the title, then I complete it at 15:40-15:56; there are then a couple later changes from 28/11/21: «Nuk do t' lija» -> «S'do t'e lija» at 14:29 and «që dëshiroj» -> «q'e dëshiroj», hesitantly at 14:32.

Just before and during the recording process, on 18/9/21, I make the following tweaks:

1. wh', even if discouraged -> wh', even in indifference, 14:17;
2. qui ne si dissuaderer quidem -> qui in aliorum indifferentia, 14:18;
3. abdicarem, quam desidero, vita -> Vitam quam desidero non relinquam, 14:19;
4. m' kom bën' mu un' -> … un' mu, 14:26;
5. happiness -> tenderness, 14:34; this had actually been handwritten on the printout of the 28/7/12 11:01 file, but got lost on the way to the blog;
6. Ejus inimaginabilis gaudî -> Inimaginabilis teneritatis, 14:40.

No idea where I got that wēnróu was happiness when it's tenderness (last two tweaks), or why I thought "shòu lěngmò" meant "be discouraged" (first two tweaks). Let's see!

你是不是像我，在太阳下低头， 流着汗水默默辛苦的工作？ 你是不是像我，就算受了冷漠， 也不放弃自己想要的生活？ 你是不是像我，整天忙着追求， 追求一种意想不到的温柔？ 你是不是像我，曾经茫然失措， 一次一次徘徊在十字街头？ 因为我不在乎 别人怎么说。 我从来没有忘记我， 对自己的承诺， 对爱的执著 。 我知道我的未来不是梦， 我认真地过每一分钟， 我的未来不是梦， 我的心跟着希望在动！ 我的未来不是梦， 我认真地过每一分钟， 我的未来不是梦， 我的心跟着希望在动， 跟着希望在动！ Are you or not, like me, with head bowed in sunlight, Working hard and sweating, always in silence? Are you or not like me, who, even in indiff'rence, Never would give up the life that I wish for? Are you or not, like me, busy all day searching, Searching for a tenderness you can’t think of? Are you or not like me, who was lost at one time, Going always back and forth at the crossroads? Because I do not care What the others say. I never have forgotten what I've promised to myself, My devotion to love! I know that what’s in store for me’s no dream, I’ll every minute seriously pass, What’s in store for me’s no dream, For my heart beats in rhythm with hope. What’s in store for me’s no dream, I’ll every minute seriously pass, What’s in store for me’s no dream, For my heart beats in rhythm with hope, Beats in rhythm with hope! Original Middle Final Esn’, ut sum, capite sub sole demisso, Sudans sed laborans dure muteque? Esn’ ut sum, qui, ne si dissuaderer quidem, Abdicarem quam desidero vitā? Esn’, ut sum, die cuncto in quæstïone Eius inimaginabilis gaudî? Esn’ ut sum, perditus qui quidem fui olim, Vïæ cruces sæpe adiens rediensque? Quod meā nil refert quid dicant alii. Oblitus numquam sum de me, Nec quod promiserim, Studium nec adire. Scio ego somni’ haud esse quod fiet, Minuto quoque serïe utar, Somni’ haud esse quod fiet, Mëum cor rhythmum spei sequitur. Scio ego somni’ haud esse quod fiet, Minuto quoque serïe utar, Somni’ haud esse quod fiet, Mëum cor rhythmum spei sequitur, Rhythmum spei sequitur! Esn’, ut me, capite sub sole demisso, Sudans sed laborans dure muteque? Esn’ ut me, qui ne si dissuaderer quidem, Abdicarem, quam desidero, vita? Esn’, ut me, toto die in quæstïone Ejus inimaginabilis gaudî? Esn’ ut me, qui amiseram memet olim, Trivïisqu’ abjebam et redïebam? Quod mëa nil refert alii quid dicant. Nam numquam me oblitus sum, Promissiones mëas, Quam hæram amori. Scio ego: somni’ haud est quod mi fïet, Minuto quoquo serje utar, Somni’ haud est quod mi fiet, Mëum cor rhythmum spej sequitur. Somni’ haud est quod mi fiet, Minuto quoquo serje utar, Somni’ haud est quod mi fiet, Mëum cor rhythmum spej sequitur, Rhythmum spej sequitur! Esn’, ut me, capite sub sole demisso, Sudans sed laborans dure muteque? Esn’ ut me, qui, in aliorum indifferentia, Vitam quam desidero non relinquam? Esn' ut me, qui perenni sum in quæstu Inimaginabilis teneritatis? Esn’ ut me, qui amiseram memet olim, Trivïisqu’ abjebam et redïebam? Quod mëa nil refert Alii quid dicant. Obltus enim numquam quid Promiserim mihi, Quam in amore persistam!. Scio ego: somni’ haud est quod mi fïet, Minuto quoquo serje utar, Somni’ haud est quod mi fiet, Mëum cor rhythmum spej sequitur. Somni’ haud est quod mi fiet, Minuto quoquo serje utar, Somni’ haud est quod mi fiet, Mëum cor rhythmum spej sequitur, Rhythmum spej sequitur!

Nǐ shì bù shì xiàng wǒ, zài tàiyáng xià dītóu, Liúzhe hànshuǐ mòmò xīnkǔ di gōngzuò? Nǐ shì bù shì xiàng wǒ, jiùsuàn shòuliao lěngmò, Yě bù fàngqì zìjǐ xiǎngyào di shēnghuó? Nǐ shì bù shì xiàng wǒ, zhěng tiān mángzhe zhuīqiú, Zhuīqiú yī zhǒng yìxiǎngbùdào de wēnróu? Nǐ shì bù shì xiàng wǒ, céngjīng mángrán shīcuò, Yīcì-yīcì páihuí zài shízìjiētóu? Yīnwèi wǒ bù zàihu Biérén zěnme shuō. Wǒ cónglái méiyǒu wàngjì wǒ, Duì zìjǐ di chéngnuò, Duì ài de zhízhuó. Wǒ zhīdào wǒ di wèilái bù shì mèng, Wǒ rènzhēn di guò měi yī fēnzhōng, Wǒ di wèilái bù shì mèng, Wǒ de xīn gēnzhe xīwàng zài dòng! Wǒ di wèilái bù shì mèng, Wǒ rènzhēn di guò měi yī fēnzhōng, Wǒ di wèilái bù shì mèng, Wǒ de xīn gēnzhe xīwàng zài dòng, Gēnzhe xīwàng zài dòng! A je ti si jom un'? Nën diellin p' ul kokën, Po djersij e po punoj fort' në heshtje. A je ti si jom un'? Tu gjet' mospërfillje, S'do t' e lija jetën q' e dëshiroj un'. A je ti si jom un'? Ton' dit' p'e ndjek but'si un', Një but'si që s'mund m'e imagjinu kurr'. A je ti si jom un'? Dikur i/e përhumbur Lart e proshtë bridhja në kryqëzimet Sepse un' nuk shqet'sohem Të tjer' çfar' po thon' Premtimet që m' kom bën' un' mu E as sa kapem pas dashnis' Kurrë s'kam harru! E di un': ardhmja ime nj' ëndërr s'ësht' Jom i/e ndërgjegjshëm çdo minut' Ardhmja ime nj' ëndërr s'ësht' Zemra ime rreh me ritmin e shpresës! Ardhmja ime nj' ëndërr s'ësht' Jom i/e ndërgjegjshëm çdo minut' Ardhmja ime nj' ëndërr s'ësht' Zemra ime rreh me ritmin e shpresës Rreh me ritmin e shpresës Similisne es mihī? Solum spectō semper, Sōle forte lābōrānsque silēnsque. Similisne es mihī? Etjam sī neglectus, Vītā quam ego optō nōn abdicārem! Similisne es mihī? Djē cunctō affectum Insequor quem nōn licet mentī adīre. Similisne es mihī? Viam quondam āmīsī, Triviīsque abībamque et remeābam. Quia nōn cūrō Quid dīcant cēterī: Oblītus numquam quās mēcum Prōmissjōnēs habeam, Quantum amōrī haeream! Scjō bene quod sōmnja nōn fūtūrum sunt, Piissimē semper vīvam Sōmnja nōn fūtūrum sunt, Corculum hōc sequitur tempus spei! Sōmnja nōn fūtūrum sunt, Piissimē semper vīvam Sōmnja nōn fūtūrum sunt, Corculum hōc sequitur tempus spei, Sequitur tempus spei!

Ma come hai fatto?

L'altra volta avevamo "chèllë chë qua 'n pittë chiósë sta" nonché "chi nën zë pò scurdà", e oggi abbiamo un grande amore, come mai la cantante ne ha vissuti prima, con Come hai fatto, di Mina. Questa l'ho tradotta in Min Nan tra le 12:30 e le 13:50 del 3/10/19. In pratica, è andata come segue. L'ho sentita alla giornata d'inizio anno di CL, 27/9/19, e ho pensato che era bellissima e da tradurre, e automaticamente ho pensato al Cinese. A questo punto, in Cinese le domande si fanno in tre modi: o 1) aggiungi 吗 ma alla fine, o 2) metti la particella interrogativa 是否 shìfǒu nella frase, oppure 3) metti verbo + 不 bù + verbo. Pensando a "se quella lì sono io", il primo modo mi piaceva poco perché non tiene "io" alla fine, il secondo mi costringeva ad aggiungere una nota o a spezzare shìfǒu tra le due semifrasi "se quella lì" e "sono io", separate da una pausa nella musica, e il terzo idem, tranne che la pausa cadeva tra bù e la ripetizione del verbo. Ma! Ma in Min Nan shìfǒu diventa 敢 kám, e il problema scompare. E così già in sede di giornata d'inizio avevo pensato al Min Nan, e niente, il 3/10 ho portato a termine il progetto. [Con un errorino, a quanto pare, per cui un 不知 era scivolato nella seconda riga dell'ultima "strofa" (Italiano "Non so nemmeno"), corretto presumibilmente nel fare la bozza del post, e comunque tra le 13:50 e le 20:47 del 3/10/19.] Non pago di ciò, per divertimento, mi sono messo a cantarla in Mandarino, perché il passaggio al Mandarino qui è quasi solo pronunciare i caratteri diversamente e cambiare le parole dialettali negli equivalenti mandarini, quindi automatico, tranne per tre punti, "se quella lì sono io", per cui cfr. sopra, "E non ha senso", dove una parola dialettale guadagna una sillaba in mandarino, mangiandosi l'esclamativo di fine frase "ah", e "Ti voglio bene", dove compare un'espressione idiomatica Min Nan. E così, nel giro del tempo che serve a cantarla una volta, per le 19:33 dello stesso giorno ce l'avevo in Mandarino. Dopodiché, per riempire la colonna di fianco all'Italiano, mentre mi rigiravo nel letto tra le 2:42 e le 2:57 dello stesso 4/10, ecco che la canto in Inglese, quasi traduzione musicale in simultanea. E niente, vediamo 'ste traduzioni!

Ma come hai fatto A farmi innamorare Così tanto Mi guardo nello specchio E mi domando Se quella lì sono io Ma come hai fatto A far della mia vita Una tua cosa A trasformare il tempo In un'attesa Di rivedere te * E non ha senso Questa mia vita E più ci penso E più è un filo Nelle tue mani # Ma come hai fatto Non so nemmeno Quando è incominciato Io so soltanto che, Nella mia vita, Non è accaduto mai @ La prima volta Che dico veramente «Ti voglio bene!» * # @ 你哪会当怎么会矣了 予让我爱上你 爱甲得遮尔这么深啊 镜里看着到家己自己 就共跟家己自己问 彼那个女人敢是否是我 你哪会当怎么会矣了 予让我的人生 只属于你一人 来将时间变成 不断的期待， 期待阁看见你！ * 佮而全无空没道理啊， 我这种生活， 佮而我愈越想想， 愈越看似伊它是 你手中的线 # 你哪会当怎么会矣了 我甚至毋不知 何时有开始啊 我只有知影知道 伫在我人生的路 从到今无没发生！ @ 是第一次我 这句话讲说甲得真正： “共跟你惜命命很珍惜！” * # @ 你怎么会了 让我爱上你 爱得这么深啊 镜子里看自己 就跟自己问 那个女人是我吗 你怎么会了 让我的人生 只属于你一人 来将时间变成 不断的期待， 期待再看见你！ * 而全没道理， 我这种生活， 而我越想想， 越看似它是 你手中的线 # 你怎么会了 我甚至不知 何时有开始啊 我只有知道 在我人生的路 从来都没发生！ @ 是第一次我 这句话说得真正： “对你很珍惜！” * # @

How did you manage To make me fall in love With you so deeply? When I look at myself Inside a mirror, I wonder: "Is that me?" How did you manage To make this life of mine Into your own thing? To turn all of my time To expectation Of seeing you again? * And it makes no sense, This life of mine: The more I think of it, The more it looks like A thread in your hands! # How did you manage? I do not even know When it all started. I only surely know That, in my whole life It's never taken place! @ This is the first time I truthfully tell someone "I hold you dear"! * # @ Lí ná ē-tàng--ah Hōo guá ài-siōng lí Ài kah tsiah-nī tshim--ah Kiànn--lí khuànn-tio̍h ka-kī Tiō kā ka-kī mn̄g Hit ê lú-lîn kám sī guá Lí ná ē-tàng--ah Hōo guá--ê lîn-sing Tsí sio̍k-u lí tsı̍t lâng Lâi tsiong sî-kan piàn-sîng Put-tuān--6e kî-thāi, Kî-thāi koh khuànn-kìnn lí! * Kah tshuân bô-khang--ah, Guá tsit tsióng sing-ua̍h, Kah guá lú siūnn-siūnn Lú khuànn-sū i sī Lí tshiú tiong--ê suànn # Lí ná ē-tàng--ah Guá sīm-tsì m̄ tsai Hô-sî ū khai-sí--ah Guá tsí-ū tsai-iánn Tī guá lîn-sing--ê lōo Tsîng-kàu-tann bô huat-sing! @ Sī tē-it tshù guá Tsit kù uē kóng kah tsin-tsiànn: "Kā lí sioh-miā-miā!" * # @ Nǐ zěnme huìle Ràng wǒ àishàng nǐ Ài de zhème shēn a Jìngzi lǐ kàn zìjǐ Jiù gēn zìjǐ wèn Nà gè nǚrén shì wǒ ma Nǐ zěnme huìle Ràng wǒ de rénshēng Zhǐ shǔyú nǐ yīrén Lái jiāng shíjiān biànchéng Bùduàn de qídài, Qídài zài kànjiàn nǐ! * Ér quán méi dàolǐ, Wǒ zhè zhǒng shēnghuó, Ér wǒ yuè xiǎngxiǎng, Yuè kànsì tā shì Nǐ shǒu zhōng de xiàn # Nǐ zěnme huìle Wǒ shènzhì bù zhī Héshí yǒu kāishǐ a Wǒ zhǐyǒu zhīdào Zài wǒ rénshēng de lù Cónglái dōu méi fāshēng! @ Shì dìyī cì wǒ Zhè jù huà shuō de zhēnzhèng: “Duì nǐ hěn zhēnxī!” * # @

Nottata di luna

Dunque, l'altra volta abbiamo visto una canzone in un dialetto Abruzzese del gruppo meridionale (precisamente quello di Atri, in provincia di Teramo), che aveva a che fare col mare. Quindi oggi stiamo sul mare (non troppo direttamente) e risaliamo verso le Marche, arrivando a San Benedetto del Tronto, il cui dialetto è del medesimo gruppo, e troviamo Nuttatë dë lónë.
Il testo è preso da questo post su Facebook, con influenze fonetiche dal video linkato prima, in particolare per le schwa. A proposito di questo, "st" si pronuncia "sht", come in Napoletano, almeno stando al video. La seconda strofa nel video non c'è, quindi l'ho un po' indovinata. Alcune cose di traduzione (in particolare che ppió significhi anche se) vengono da qui. Ancora ho il dubbio se le lancette siano dell'orologio o siano un tipo di barca: la parola suggerisce la prima, il contesto punta, mi pare, decisamente verso la seconda. Se solo mi rispondessero qui…. Alla fine mi hanno risposto sul post di Facebook: le lancette sono delle piccole lance a vela. Quindi la noticina con l'alternativa «日头太阳落山，钟上指针反倒转回来 | Jık-thâo lȯh-suann(sang?), tseng tsiōnn tsí(?)-tsam póinn-tò-tńg», poi diventata «日头西山，时针颠倒转», si può cassare. A proposito di pronuncia e di Quora, c'è anche questa domanda, che porta a nghë invece di nghé o nghè.
E poi naturalmente abbiamo la domanda sulla traduzione Teochew qui. Eh già, perché questa l'ho tradotta in Teochew. La pensata è stata: questa è in Sanbenedettino, che linguisticamente è una variante assai meno conosciuta del Napoletano, quindi per fare un analogo devo prendere un dialetto meno conosciuto in una famiglia con un rappresentante ben noto, e dunque ne è uscita l'associazione Napoletano->Hokkien Sanbenedettino->Teochew. Non so perché la risposta abbia sostenuto che il Pengim dava l'accento Swatow quando un sacco di volte m'è capitato di cambiare da Chaozhou a Swatow nel correggere il Pengim… [per essere espliciti, la traduzione originale sotto riporta il Pengim aggiustato dell'autorisposta]
Comunque abbiamo la strofa 1 il 16/6 tra le 14 e le 15, il rit. 1 riga 1 il 16/6/19 alle 18:40 circa, il resto della prima metà il giorno dopo tra le 8:30 e le 9, qualche Teochew-ficazione rimettendo tutto insieme e facendo il Pengim il pomeriggio del 17, il resto tranne la riga delle lancette il 17 tra le 16:30 e le 23:30, Teochew-ficazioni il giorno dopo alle 12:30 rimettendo tutto insieme, e la riga delle lancette, in duplice versione, il 18/6 alle 12:45 circa, e infine una piccola modifica il 20/6 (che poi è ieri) alle 16:04 nel fare la domanda su Quora Inglese.
Sotto do sia il Pengim che una traslitterazione stile Tai-lo. Spero corrispondano perfettamente.
Con un po' di interazioni con due "risponditori" su Quora, entro le 16:32 del 26/6/19 abbiamo una versione migliorata e tornata all'accento Chaozhou. 14/8/19 0:09, decido di cassare l'"ah" finale nella riga delle lancette.
Elenco ora le differenze tra la traduzione data qui come "originale" e quella che si trova nella nota Facebook colla storia delle traduzioni:

1. 别 non è lo spelling corretto di "pak" = "riconoscere" nella riga 3, errore corretto nel punto 14 dell'autorisposta su Quora;
2. L'aggiunta di 来(?) alla riga 5 del rit., che nella nota ha solo la conversione da 正在 a 在 (letto do);
3. 倒转来 -> 反倒转 nella prima riga della terza strofa, nel punto 57 dell'autorisposta;
4. 的->个 nella terza riga di quella strofa, avvenuta postando su Quora la traduzione;
5. 揣->觅 nell'ultima riga della strofa, avvenuta nel punto 66 dell'autorisposta;
6. 佮->个 nella prima riga del ritornello modificato finale, punto 7;
7. 惜命命->过珍惜 nella seconda riga del primo ritornello, punto 70.

Vediamo 'sta canzone!

• Prima traduzione
• Traduzione riveduta

RèscëEsce la lónëluna che lu mare allóccëillumina, S’aprë ‘na vèlëvela nghëcon ‘na stèlla ròscërossa, Che ppióanche se lëndànëlontano va la rëcunòscëriconosco, JèÈ chèllëquella che qua 'n pìttëpetto chiósëchiusa sta! Rit. La lónëluna t’accumbàgnët'accompagna, Stu còrë sta nghëcon ttè, VannëVa' sènza nu lagnëlamento, Të vujëvoglio tròppëtroppo bbèbene!! E quascëquasi 'n tóttëtutte ll’òrë, I' stinghesto a rëcëtàpregare1, PëPer chèllëquello che qua 'n còrë, Semprë më cë starrà! La rètarete ssunësua sòllala ho bènëdéttëbenedetta Përchè nghëcon la prëghìrëpreghiera la sòho fattëfatta, PórëPure l’acquël'acqua së sèndësente suddësfàttësoddisfatta, Dë pèscëpesci jë në fa pijàprendere prassàassai! Rit. CalëCala lu sól'sole, arrèvëarrivano le lancèttë, E chèllëquella chë va ‘nnanzëdavanti jèè la ssunësua, UàrdëGuarda qua 'n tèrrëterra nghëcon cert’ucchiëocchi bbunëbuoni, Më cèrch'cercae ppùpiù nënnon fa chë sëspëràsospirare! Déch'Dicoa lu marë furtëforte: Të vujëvoglio bbèbene prassàassai, VastëBasta chë mm’arëpurtëmi riporti, Chi nënnon zësi pò scurdà! [Strum. Strum.] VannëVa' sènza nu lagnëlamento, Të vujëvoglio tròppëtroppo bbèbene! 1Lett. "recitare", riferito al rosario. 有月娘月亮出现来照登照亮遐那大海 带红色个的星个的风帆拍开打开 虽然伊它去远，我一定捌认识伊它： 就是保留在心内个的小星 副歌: 月娘月亮将你陪伴啊 阮我的心佮跟你做蜀下一起 请去佮和莫悲叹啊 我将你过很珍惜 佮和险才几乎每小时啊 我拢都在正在来(?)祈祷 为了在阮我（的）个的心内 恬总会保留个的人 伊他个的鱼网，伊它有天主个的祝福 因为就是祈祷用以造伊它 连海水也现在觉得满意 就互让伊他钓着到过很济多尾个小鱼 副歌 日头太阳落山，渔船拢都反倒转回来啊 佮和最头前前面遐那一个就是伊他个的 用良好个的目光睇看着到土地啊 觅找着我来叹息，别无所做 我大声来个跟海呾说 我将你惜命命十分珍惜 只要你分给我带转 我忘不了个的人 [Str. Str.] 请去佮和莫悲叹啊 我将你过很珍惜

Spunta la luna che illumina il mare, Si apre una vela con una stella rossa, Che, anche se va lontano, la riconosco, È quella che sta qui chiusa nel mio cuore! Rit. La luna t’accompagna, Questo mio cuore sta con te, Vai senza lamenti, Ti voglio troppo bene! E quasi a tutte le ore, Io sto a pregare, Per quello che qua nel cuore, Sempre mi starà! La sua rete l'ho benedetta Perché colla preghiera l'ho fatta, Anche l’acqua si sente soddisfatta, Di pesci gliene fa prendere parecchi! Rit. Cala il sole, tornano le lancette, E quella che va davanti è la sua, Guarda qua a terra con certi occhi buoni, Mi cerca e non fa che sospirare! Dico forte al mare: Ti voglio molto bene, Basta che [tu] mi riporti, Chi non si può dimenticare! [Strum. Strum.] Vai senza lamenti, Ti voglio troppo bene! Pengim Stile Tai-lo U6 ghuêh8-nio5 cug4-hing7 lai5 zio3-dêng1 hia5 dua7-hai2 Dua3 ang5-sêg4 gai7 cên1 gai7 huang1(hong1?)-pang5 pah4-kui1 Sui1-riang5 i1 ke3 heng6 ua2 zêg8-dian7 bag4 i1 Ziu6/7 si6/7 bo2-liu5 (correct?) do6 sim1 lai6 gai7 siao2 cên1 Hu3-go1: Ghuêh8-nio5 ziang1 le2 buê5-puan6 a7 Uang2 sim1 gah4 le2 zo3 zêg8-ê7 Cian2 ke3 gah4 mog8 b(u)i1-tam3(tang3?) a7 Ua2 ziang1 le2 guê3 diêng1-siêh4 Gah4 hiam2-cai5 muê2 siao2-si5 a7 Ua2 long2 do6 lai5(?) ki5-dao2 Ui7-liao3 do6 uang2 gai7 sim1 lai6 Diam7 oi6 bo2-liu5 (correct?) gai7 nang5 I1 gai7 he5-mang6, i1 u6 Tiang1-zu2 gai7 zog4-hog4 Ing1-ui5 ziu6/7 si6/7 ki5-dao2 êng7 in2 z(a)o6 i1 Liang5 hai2-zui2 ia7 hing7-zai6 gag4-dig4 muan2-i3 Ziu6/7 hou7 i1 dion3-dioh8 guê3 zoi2 bhuê2 siao2-he5 Hu3-go1 Rig8-tao5 loh8-suan1, he5-zung5 long2 boin2-do3-deng2 a7 Gah4 zuê3 tao5-zain5 hia5 zêg8 gai5 ziu6/7 si6/7 i1 gai7 Êng7 liang5-ho2/hao2 gai7 mag8-guang1 toin2-dioh8 tou2-di7 a7 Cuê7-dioh8 ua2 lai5 tam3(tang3?)-sêg4, biag8-bhu5-so2-zo3 Ua2 dua7-sian1 lai5 gai7 hai2 dan3 Ua2 ziang1 le2 sioh4-mian7-mian7 Zi2-ieu3 le2 bung1 ua2 dua3 deng2 Ua2 bhuang5(7?) bug4 liao2 gai7 nang5 [Str. Str.] Cian2 ke3 gah4 mog8 b(u)i1-tam3(tang3?) a7 Ua2 ziang1 le2 guê3 diang1-sioh4 Ǔ guėh-niô tshuk-hīng lâi tsiò-teng hiâ tuā-hái Tuà âng-sek kāi tshen kāi huang(hong?)-phâng phah-khui Sui-jiang i khèr hňg uá tsėk-tiānn pak i Tsiǔ/Tsiū sǐ/sī pó-lîu (correct?) tǒ sim lǎi kāi siáo tshen Hù-ko: Guėh-niô tsiang lér puê-phuǎnn ā Uáng sim kah lér tsò tsėk-ē Tshiánn khèr kah mȯk p(u)i-thàm(thàng?) ā Uá tsiang lér kuè tieng-sieh Kak hiám-tshâi mué siáo-sî ā Uá lóng tǒ lâi(?) khî-táo Uī-liào tǒ uáng kāi sim lǎi Tiām ǒi pó-lîu (correct?) kāi nâng I kāi hêr-mǎng, i ǔ Thiang-tsú kāi tsok-hok Ing-uî tsiǔ/tsiū sǐ/sī khî-táo ēng ínn tsǎo/tsǒ i Liâng hái-tsúi iā hīng-tsǎi kak-tik muánn-ì Tsiǔ/Tsiū hōu i tiònn-tiȯh guè tsói bué siáo-hêr Hù-ko Jık-thâo lȯh-suann, hêr-tsûng lóng póinn-tò-tńg ā Kah tsuè thâo-tsâinn hiâ tsėk kâi tsiǔ/tsiū sǐ/sī i kāi Ēng liâng-hó/háo kāi mȧk-kuang thóinn-tiȯh thóu-tī ā Tshuē-tiȯh uá lâi thàm(thàng?)-sek, piȧk-bû-só-tsò Uá tuā-siann lâi kāi hái tànn Uá tsiang lér sioh-miānn-miānn Tsí-ièu lér pung uá tuà tńg Uá buâng(buāng?) puk liáo kāi nâng [Str. Str.] Tshiánn khèr kah mȯk p(u)i-thàm(thàng?) ā Uá tsiang lér kuè tiang-sioh

RèscëEsce la lónëluna che lu mare allóccëillumina, S’aprë ‘na vèlëvela nghëcon ‘na stèlla ròscërossa, Che ppióanche se lëndànëlontano va la rëcunòscëriconosco, JèÈ chèllëquella che qua 'n pìttëpetto chiósëchiusa sta! Rit. La lónëluna t’accumbàgnët'accompagna, Stu còrë sta nghëcon ttè, VannëVa' sènza nu lagnëlamento, Të vujëvoglio tròppëtroppo bbèbene!! E quascëquasi 'n tóttëtutte ll’òrë, I' stinghesto a rëcëtàpregare1, PëPer chèllëquello che qua 'n còrë, Semprë më cë starrà! La rètarete ssunësua sòllala ho bènëdéttëbenedetta Përchè nghëcon la prëghìrëpreghiera la sòho fattëfatta, PórëPure l’acquël'acqua së sèndësente suddësfàttësoddisfatta, Dë pèscëpesci jë në fa pijàprendere prassàassai! Rit. CalëCala lu sól'sole, arrèvëarrivano le lancèttë, E chèllëquella chë va ‘nnanzëdavanti jèè la ssunësua, UàrdëGuarda qua 'n tèrrëterra nghëcon cert’ucchiëocchi bbunëbuoni, Më cèrch'cercae ppùpiù nënnon fa chë sëspëràsospirare! Déch'Dicoa lu marë furtëforte: Të vujëvoglio bbèbene prassàassai, VastëBasta chë mm’arëpurtëmi riporti, Chi nënnon zësi pò scurdà! [Strum. Strum.] VannëVa' sènza nu lagnëlamento, Të vujëvoglio tròppëtroppo bbèbene! 1Lett. "recitare", riferito al rosario. 月娘月亮升起来照亮许那个大海 带红星个的风帆拍开打开 伊它虽去远，但我认会出认出伊它： 是留在我心內许那粒星囝小星 副歌: 月娘月亮共将你陪伴啊 我个的心佮跟你做一一起 请去着莫悲叹啊 我将你过很珍惜 险才几乎时时刻刻啊 我拢都正裸正在祈祷 为着为了恬永会留在 我心内个的许那个人 伊他个的鱼网，我有保佑伊它 因为将我个的祈祷用以造伊它 撖连海水还也觉得满意啊 就乞让伊他掠钓着到济济多多鱼 副歌 日头太阳西山落山，渔船拢都转来回来 上最头前前面许那个就是伊他个的 伊用深情个的目光睇看着到地面 除了觅找我，伊敢只好叹喟 我佮跟海大声呾说出 我对你过很珍惜 只求你佮给我带转 忘不了许那人欸 [Str. Str.] 请去着莫悲叹啊 我将你过很珍惜

Spunta la luna che illumina il mare, Si apre una vela con una stella rossa, Che, anche se va lontano, la riconosco, È quella che sta qui chiusa nel mio cuore! Rit. La luna t’accompagna, Questo mio cuore sta con te, Vai senza lamenti, Ti voglio troppo bene! E quasi a tutte le ore, Io sto a pregare, Per quello che qua nel cuore, Sempre mi starà! La sua rete l'ho benedetta Perché colla preghiera l'ho fatta, Anche l’acqua si sente soddisfatta, Di pesci gliene fa prendere parecchi! Rit. Cala il sole, tornano le lancette, E quella che va davanti è la sua, Guarda qua a terra con certi occhi buoni, Mi cerca e non fa che sospirare! Dico forte al mare: Ti voglio molto bene, Basta che [tu] mi riporti, Chi non si può dimenticare! [Strum. Strum.] Vai senza lamenti, Ti voglio troppo bene! Pengim Stile Tai-lo Ghuêh8-niên5 sêng1-ki2 lai5 ziê3-liang6 he2 gai7 dua7-hai2 Dua3 ang5 cên1 gai7 hong1-pang5 pah4-kui1 I1 sui1 ke3 heng6, dang6 ua2 ring7-oi6-cug4 i1 Si6 liu5 do6 ua2 sim1 lai6 he2 lieb8 cên1-gian2 Hu3-go1: Ghuêh8-niên5 gai7 le2 buê5-puan6 a7 Ua2͜ai7 sim1 gah4 le2 zo3 zê7 Cian2 ke3-diêh8 mai3 bui1-tam3 a7 Ua2 dui3 le2 guê3 diêng1-siêh4 Hiam2-cai5 si5-si5-kêg4-kêg4 a7 Ua2 long2 zian3-lo2 ki5-dao2 Ui7-diêh8 diem7 oi6 liu5 do6 Ua2 sim1 lai6 gai7 he2 gai5 nang5 I1 gai7 he5-mang6, ua2 u6 bo2-iu6 i1 Ing1-ui5 ziang1 ua2 gai7 ki5-dao2 êng7 in2 zao6 i1 Ham3 hai2-zui2 huan1 gag4-dig4 muan2-i3 Ziu6 keh4 i1 liah8-diêh8 zoi2-zoi2 he5 Hu3-go1 Rig8 loh8 sai1 sang1, he5-zung5 long2 deng2 lai5 Siang6 tao5-zain5 he2 gai5 ziu6 si6 i1 gai7 I1 êng7 cim1-cêng5 gai7 mag8-guang1 toin2-diêh8 di7-ming7 De5-lieu3 cuê7 ua2 i1 gam1 ho2 tam3-kui3 Ua2 gai7 hai2 dua7-sian1 dan3-cug4 Ua2 dui3 le2 guê3 diêng1-siêh4 Zi2-kiu5 le2 gai7 ua2 dua3 deng2 Bhuang5 bug4 lieu2 gai7 nang5 e7 [Str. Str.] Cian2 ke3-diêh8 mai3 bui1-tam3 a7 Ua2 dui3 le2 guê3 diêng1-siêh4 Gue̍h-niênn seng-khí lâi tsiè-liǎng hér kāi tuā-hái Tuà âng tshen kāi hong-phâng phah-khui I sui khèr hěrng, tāng uá jīng-ǒi-tshuk i Sī lîu tō uá sim lǎi hér lie̍rp tshenn-kiánn Hù-ko: Gue̍h-niênn kāi lér puê-phuǎnn ā Uá͜āi sim kah lér zò zē Tshiánn khèr-tie̍h mài pui-thàm ā Uá tuì lér kuè tieng-sieh Hiám-tshâi sî-sî-khek-khek ā Uá lóng tsiànn-ló khî-táu Uī-tie̍h tiērm ŏi lîu dǒ Uá sim lǎi kāi hér kâi nâng I kāi hêr-mǎng, uá ǔ pó-iǔ i Ing-uî tsiang uá kāi khî-táu ēng ínn tsǎu i Hàm hái-tsúi huann kak-tik muánn-ì Tsiǔ kheh i lia̍h-tie̍h tsói-tsói hêr Hù-ko Ji̍k lo̍h sai sang, hêr-tsûng lóng térng lâi Siǎng thâu-tsâinn hér kâi tsiǔ sǐ i kāi I ēng tshim-tshêng kāi ma̍k-kuang thóinn-tie̍h tī-mīng Têr-lièru tshuē uá i kam hó thàm-khuì Uá kāi hái duā-siann tànn-tshuk Uá tuì lér kuè tieng-sieh Tsí-khiû lér kāi uá tuà térng Buâng puk liéru kāi nâng ē [Str. Str.] Tshiánn khèr-tie̍h mài pui-thàm ā Uá tuì lér kuè tieng-sieh

Più lontano delle stelle

La volta scorsa avevamo una canzone intitolata "Oceano" (o letteralmente "grande mare"), e oggi abbiamo una canzone che ha a che fare con il mare. Si tratta di Luntanë cchiù luntanë, canzone in un dialetto abruzzese del gruppo meridionale – precisamente Atriano, dato che il testo è dell'atriano Luigi Illuminati – che ho tradotto in Cinese la sera del 12/6/19, cambiando poi un paio di 要 in 想 e 得 nella seconda strofa (originale «要去哪儿为了不死亡 / 啊漂亮鱼船，你就要») mentre scrivevo la bozza di questo post alle 22:58 del 21/6/19, e aggiungendo il 你 della prima riga di quella strofa la stessa sera a bozza finita alle 23:02. Il testo è preso da qui, con qualche adattamento ortografico, principalmente per indicare le schwa con ë invece che confonderle con autentiche e. Anche la traduzione viene da lì. [La nota che contiene la storia di questa traduzione riporta un cambiamento del 12/6/19 alle 23:45 come «唱出去», che presumo si riferisca a «它还让我唱出来». Il cambiamento non migliora la situazione rime, e tra qù e lái non so se ce ne sia uno decisamente più adatto al contesto, quindi boh, non so perché ho scritto quella modifica.] Poi, a bozza finita, penso di aggiungerci il Francese, e nel giro di 25 minuti scarsi avevo una versione. Ovviamente non faccio il post in Francese per questo, non foss'altro che l'ho già scritto in Italiano :). Abbiamo poi, il 17/12/21 all'1:06-1:10, una serie di modifiche: 我感到心在震颤->感到我心在震颤, 那＝＞这 alle righe 3-4, 它还让我唱出来->它还让我来歌唱 per la rima, 你知道我的心灵/想去哪儿为了不死亡/啊漂亮鱼船，你就得/跟这些叹息来去到远方 prima in 你知道我的心灵/为了不死亡想去哪/啊漂亮鱼船，你就得/跟这些叹息来去远方啊 poi in 你知道我的心灵/为了不死亡想去哪/啊漂亮的鱼船，你就/跟这些叹息该去远方啊. Vediamo!

PëPer ccantà sta cchiaritàchiarore 'N còrë më sèntësento trëmà! TuttëTutto stu cièlëcielo stellatëstellato, TuttëTutto stu marë che mmë fa sugnà. Ma pëper tte sólësolo, pëper tte Èscë dall'anima mèmia, 'Mmèzz'In mezzoa stu cièlëcielo, stu marë, Nu cantëmèntëcantamento che 'n zë pònon si può tëné! LuntanëLontano, cchiùpiù luntanëlontano Dë lile luntanëlontano stèllë, LucëRiluce la lucë cchiùpiù bèllë Che mmë fa 'ncórëancora cantà. 2v. Marinà, s'ha dda vugà Tra tutta sta cchiaritàchiarore, CantëCanta la vèlëvela a lu vèntëvento Nu cantëcanto grannëgrande che luntanëlontano va: Tu lalo ssisai dóvë vòvuole ìandare St'ànëmëanima pëper nnë'non murì, Bella paranzëparanza. LuntanëLontano NghëCon sti suspirësospiri tu i'hai da mënìvenire. LuntanëLontano, cchiùpiù luntanëlontano Dë lile luntanëlontano stèllë, Lucë la lucë cchiùpiù bèllë Che mmë fa 'ncórëancora cantà. 2v. 为了唱这段明光 感到我心在震颤 所有这段大的星空 所有这大海就让我梦想 但为你，只有为你 从我心灵唱出去 在大海和星空之中 唱出一首不自已的歌曲 合唱： 很遥远，真的遥远， 比远的星星遥远， 有更美丽的光照亮 它还让我来歌唱 两次 行船人，你必须划船， 这段明光中划下去， 风帆正在给风唱出 唱一首去远方的大歌曲 你知道我的心灵 为了不死亡想去哪 啊漂亮的鱼船，你就 跟这些叹息该去远方啊 合唱

Pour chanter cette clarté En coeur je me sens trembler Tout ce grand ciel plein d'étoiles Toute cette mer-ci qui me fait rêver Mais pour toi, seulement pour toi, Il me sort maintenant de l'âme Ici, dans ce ciel, dans cette mer, Un chantement que je n'arrête pas Lontaine, plus lontaine De les plus loins étoiles Luit la lumière la plus belle Que me fait encore chanter Deux fois Oh marin, on doit voguer En toute cette clarté La voile, elle chante au vent Une chanson grande qui s'en va très loin Tu le sais où qu'elle veut aller Cette âme pour ne mourir Beau chalutier, et très loin Avec ces soupirs tu devra t'en venir. Lontaine, plus lontaine De les plus loins étoiles Luit la lumière la plus belle Que me fait encore chanter Deux fois Wèile chàng zhè duàn míngguāng Gǎn dào wǒ xīn zài zhènchàn Suǒyǒu zhè duàn dà de xīngkōng Suǒyǒu zhè dàhǎi jiù ràng wǒ mèngxiǎng Dàn wèi nǐ, zhǐyǒu wéi nǐ Cóng wǒ xīnlíng chàng chūqù Zài dàhǎi hé xīngkōng zhī zhōng Chàng chū yī shǒu bù zìyǐ de gēqǔ Héchàng: Hěn yáoyuǎn, zhēn de yáoyuǎn, Bǐ yuǎn de xīngxīng yáoyuǎn, Yǒu gèng měilì de guāng zhàoliàng Tā hái ràng wǒ lái gēchàng Liǎng cì Xíngchuán rén, nǐ bìxū huáchuán, Zhè duàn míngguāng zhōng huà xiàqù, Fēngfān zhèngzài gěi fēng chàng chū Chàng yī shǒu qù yuǎnfāng de dà gēqǔ Nǐ zhīdào wǒ de xīnlíng Wèile bù sǐwáng xiǎng qù nǎ A piàoliang de yú chuán, nǐ jiù Gēn zhè xiē tànxí gāi qù yuǎnfāng a Héchàng

Ocean

And today we have another Chinese song, 大海 | Dàhǎi, literally "Big sea", probably "Ocean", I guess :). «I met it probably in Sep 2011, definitely no later than Oct 26, and translated it to English soon afterwards and within that same Oct 26 (assuming I'm correct in suspecting that was when I sent my work to my Chinese friend who corrected it), and to French within the summer. As far as I can tell, the only change is «Put this inside my heart» -> «Put this down in my heart», a change that doesn't appear in old files last edited up to Dec 7 2011, but only in files created Sep 3 2012 and edited Dec 25 2017, and one PDF created and last edited Jul 9 2013. My guess would be that I made the change in the summer of 2012 as I took the song into my hands again to translate it into French, and then it first appeared in a PDF in 2013 when I was preparing the songs for my blind friend. I don't like the change, so I'm undoing it here on the blog», said the intro. Boy was it wrong.

• First of all, this other post discusses how the diary somewhat suggests that this translation was made all the way back in September 28-30.
• Secondly, the things were sent in on 24/10/11 at 22:55, and this was in its Original version below.
• Then, a file last edited on 31/10/11 at 12:45 brings us to the Middle 1 version below.
• This is what remains there up till the file from 15:31 on the same day, and then the next file, from 25/11/11 16:50, shows the Middle 2 version, which is a partial reversal of changes and some new stuff.
• This persists up to the 7/12/11 11:49 file, and the next one, from 28/7/12 11:01, finally has the Pseudofinal version below, save for the 23/12/21 tweak mentioned below. When I get around to recording this, I will choose the best of each version of each line.
• I also have ll. 3-4 tweaked on 23/12/21 at 0:07, changing from the Pseudofinal version's former «From a face all unclear, / Bit by bit you get clear to the present form.
• The printout of the 28/7 file has the following changes annotated on it, apparently all lost on the way to the blog:
  
  1. «You now slowly get clear»;
  2. «I walk blankly on the beach»;
  3. «I now shout “I love you”, / But the wind blows it away», marked "NO!", so undone by the annotation itself;
  4. «All the tears that I’ve cried».
  I will decide later on what to do about any of these. In fact, I may remake the whole thing from scratch and do away with this mess.

As for the French, there's still blank lines for it in the 5/8/12 19:26 file, and it appears as below in the 18/8/12 15:27 file. In fact, the manuscript translation on the printout of the 28/7 file gives the printout version below, which the mega-intro dates to 25/7. Let's see!

从那遥远海边 慢慢消失的你， 本来模糊的脸， 竟然渐渐清晰。 想要说些什么， 又不知从何说起， 只有把它放在心底。 茫然走在海边， 看那潮来潮去， 徒劳无功想把 每朵浪花记清。 想要说生爱你， 却被吹散在风里。 猛然回头你在那里。 如果大海能够 唤回曾经的爱， 就让我用一生等待。 如果深情往事 你已不在留恋， 就让它随风飘远。 如果大海能够 带走我的哀愁 就像带走每条河流， 所有受过的伤， 所有流过的泪， 我的爱， 请全部带走。 Original Middle 1 Middle 2 Pseudofinal From that seashore afar Slowly you disappear, From a face all unclear, Bit by bit you get clear. I would now like to speak, But I don’t know where to start, I just put this inside my heart. I do walk on the beach, See the waves come and go, And in vain every spray To remember I try. I would shout “I love you”, But the wind would drown it out. Then I turn back, and you are there. If the ocean can call You, my old love, back here, Let me wait here throughout my life. If a mem’ry of love Matters nothing to you, Let go with wind afar. If the ocean can take All my sadness away Like the rivers the flow to him, All the wounds I’ve received, All the tears that I cry, O my love, Please take all away. From that seashore afar Slowly you disappear, From a face all unclear, Bit by bit you get clear. I would now like to speak, But I don’t know where to start, I just put this inside my heart. I do walk on the beach, See the waves come and go, And in vain every spray To remember I try, I would shout “I love you”, But the wind would drown it out. Then I turn back, and you are there. If the ocean could call You, my old love, back here, I would wait here throughout my life. If a mem’ry of love Can mean nothing to you, Let go with wind afar. If the ocean could take All my sadness away Like the rivers the flow to him, All the wounds I’ve received, All the tears that I cry, O my love, Please take all away. From that seashore afar Slowly you disappear, From a face all unclear, You now slowly get clear. I would now like to speak, But I don’t know where to start, I just put this inside my heart. I walk blank on the beach, Watch the waves come and go, And in vain every spray To remember I try. I would shout “I love you”, But the wind would drown it out. Then I turn back, and you are there. If the ocean can call You, my old love, back here, Let me wait for you all life long. If a mem’ry of love Matters nothing to you, Let go with wind afar. If the ocean can take All my sadness away Like the rivers the flow to him, All the wounds I’ve received, All the tears I have cried, O my love, Please take all away. From that seashore afar Slowly you disappear, Your face once was a blur, Now it slowly turns clear. I would now like to speak, But I don’t know where to start, I just put this inside my heart. I do walk on the beach, See the waves come and go, And in vain every spray To remember I try. I would shout “I love you”, But the wind would drown it out. Then I turn back, and you are there. If the ocean can call You, my old love, back here, Let me wait here throughout my life. If a mem’ry of love Matters nothing to you, Let it go with wind afar. If the ocean can take All my sadness away Like the rivers the flow to him, All the wounds I’ve received, All the tears that I cry, O my love, Please take all away.

Cóng nà yáoyuǎn hǎibiān Mànman xiāoshī de nǐ, Běnlái móhú de liǎn, Jìngrán jiànjiàn qīngxī. Xiǎngyào shuō xiē shénme, Yòu bù zhī cóng hé shuō qǐ, Zhǐyǒu bǎ tā fàng zài xīn dǐ. Mángrán zǒu zài hǎibiān, Kàn nà cháo lái cháo qù, Túláowúgōng xiǎng bǎ Měi duǒ lànghuā jìqīng. Xiǎngyào shuōshēng ài nǐ, Què bèi chuīsàn zài fēng lǐ. Měngrán huítóu nǐ zài nàlǐ. Rúguǒ dàhǎi nénggòu Huànhuí céngjīng de ài, Jiù ràng wǒ yòng yīshēng děngdài. Rúguǒ shēnqíng wǎngshì Nǐ yǐ bù zài liúliàn, Jiù ràng tā suí fēng piāo yuǎn. Rúguǒ dàhǎi nénggòu Dàizǒu wǒ de āichóu Jiùxiàng dàizǒu měi tiáo héliú, Suǒyǒu shòuguò de shāng, Suǒyǒu liúguò de lèi, Wǒ de ài, Qǐng quánbù dàizǒu. Printout Final De cette coste loin tu Lentement disparisses, [->] disparais, D’une face foue, lentement Tu deviens => Maintenent tu t’fais claire. Je voudrais dire quelque chose, Mais je n’sais d’où commencer, Seulment je mit ças dans mon cœur -> Je mit ça dans mon cœur seulment Je chemin sur la page, Vois les ondes aller venir Et en vain j’essaie de Recorder chaque embrun. Je veux dire que je t’aime, Mais le vent l’ensufflerait emmenerait, Je me tourne, et tu es là. Si le grand Ocean peux̣ Reporter mon amour Je vais attaendre toute ma vie. Si tu n’as nostalgie D’une memoire d’amour, Qu’elle s’en aille avec le vent! [Si le grand Ocean peut] Emmener ma tristesse Comme il emmène chaque fleuve, Toutes les plaies que j’ai eues, Toutes les larme => Chaque larme que j’ai pleurée, Mon amour, Emmène-les, je prie. De cette côte loin tu Lentement disparais, D’une face floue, lentement Maint’nant tu te fais claire. Je voudrais dire quelque chose, Mais je n’ sais d’où commencer, Seulement je pose ça dans mon cœur. Je chemins sur la plage, Vois ondes aller, venir, Et en vain j’essaie de Me souv’nir d’ chaque embrun. Je veux dire que je t’aime, Mais le vent l’emmènerait. Je me tourne, et tu es là. Si le grand Océan peut Reporter mon amour, Je vais attendre toute ma vie. Si tu n’as nostalgie D’une mémoire d’amour, Qu’elle s’en aille avec le vent. Si le grand Océan peut Emmener ma tristesse Comme il emmène chaque fleuve, Toutes les plaies que j’ai eues, Chaque larme que j’ai pleurée, Mon amour, Emmène-les, je prie.

Heart addiction

Speaking of "love […] just to break up, for memories", today we have a Cantonese song I was about to forget about completely and leave out of the blog, despite having many translations, and this is the last draft I wrote. We are talking about 心瘾 | Sam1 jan5, "Heart addiction", which I met sometime in Jan 2012. I translated it:

1. To English, a translation first recorded in the attachment of the email by which I sent the song in for corrections on Mar 9 2012 at 17:55, with the line «An obedient partner will be my» left blank since we both couldn't understand the original, save for me having an illumination and ending up with the alternate version «I'll get addicted to a love that / Obeys»; the mega-intro says that I found the song on 5/2, had my understanding corrected on 6/3, and solved this problem «tra il 6/3 – data della sua ultima venuta a casa mia – e l’8/3, data in cui era presente la traduzione Inglese di questa canzone» (between 6/3 – date in which he [my corrector at the time] last came to my home – and 8/3, date on which the English translation of this song was present»; that's the version that shows up in the 28/7/12 11:01 file and the 5/8/12 19:26 file; the printout of the 28/7/12 file has an annotation giving the version «Obedient lover will be my / Heart-need» which the mega-intro explicitly dates to 26/7; the version below, clearly a tweak of that annotation, first appears in the 18/8/12 15:27 file, save for having "lover" in place of "partner", which is a change «Decided 29/4/21 17:14»;
2. To Italian on my schooltrip to Munich, and specifically on either 20/3 or 21/3/12, the diary isn't split between the two but it really looks like there is a day transition between the date 20/3 and the translation, and I also remember this translation being done on the last night there, which was clearly that between 21/3 and 22/3; the mega-intro places this on 20/3, weirdly enough; I should look at the original of the diary to see what gives; maybe I misremember and this was actually done on 20/3? In effect, come to think of it, I never wrote the account of 22/3 by hand, so since this is on the diary, it's probably from the night between 20 and 21;
3. To Japanese, where the line 自分落とした appears between the 28/7/12 11:01 file and the 5/8/12 19:26 file, the 28/7 file planning a French version; this is weird, because the full translation is manuscripted on the printout of the 28/7 file, and the mega-intro dates it to 26/7; at any rate, the manuscript is faithfully transcribed as the printout version below; the 18/8/12 15:27 file gives us the final version save for "First strike zutto sagashita", where the "wo" appears between 18/8/12 21:16 and 3/9/12 13:26.

Then again, I'll probably ponder what the heck this song means and very heavily rework all of its translations before recording it. Welp, let's see!

当告别了恋人 当我落魄失魂 总会面对黑暗 扬言别再流泪牺牲 ＊ 当我习惯一人 当我在脑海自制兴奋 想起女伴背部美感 眼部那样性感 又会身心解禁 找个外表吸引动人 天性自私的女人 ＃ 人怎会越爱越要恨 我越怕越接近 我越近越觉没有天份 开始总想到先发制人 对方到最后变猎人 @ 人怎会越爱越过份 我越错越要问 我越问越是未称心 当找到服从枕边人 心瘾 又会想偷一个吻 ＊ ＃ @ 身边好友每说到爱情 永远说得漂亮 即使真相哪有胜过一仗 ＃ @ When my lover left me When she took my whole self Always would face darkness “Won’t e’er give my freedom or cry” * Used to being lonely When my mind gives excitement to me Her back’s beauty comes to my mind Her so sexy eyes Body and mind lift that ban I look for a charming woman By her nature selfish made # How can men wish to hate, not love Fear gets me all more near Which more makes me feel I’ve no talent At first I always sought the first strike Th’ opponent hunter then became @ How can men err as much as love I ask as much as err And asking makes me undesired An obedient partner will be my Heart-need I’ll want to steal her a kiss * # @ Every time close friends talk about love They say it’s a wonder Though in truth they sadness ne’er overthrew # @ Printout Final 離はなした時とき 自分じぶん落 おとした 暗黒あんこくにずっと もう犠牲ぎせいに泣なかない” ＊一人ひとり慣 なれた。 思おもいは鼻息はないき生 うむと、 奇麗きれいな背中せなか、と 色いろっぽい目めを思おもえ、 二度にどと愛あいしたい。 可愛かわいいと私的*してきな 女じょを捜さがす。 ＃人ひとはほ愛あいしほど厭いといたい 僕ぼく懸念 けねんほど 向むかえほど鬼才きさい才能さいのうないきすろ存ぞんじ。 First strikeファースト　ストライクずっと探さがした、 敵てきは狩人*かりゅう*ど成なった。 ＠人ひとは愛あいしほど過すぎ 僕ぼく落 おち度どほど 問といたいほど不必要ふひつようだ 直々なおなおなパートナー見みれば、 漬づけ、 キスをが取とりたい。 ＊ ＃ ＠ 仲好なかよしは愛あいついて ずっと“奇麗きれい”と言いう、 でももう交戦こうせんを勝かちなかった ＃ ＠ 離はなした時とき、 自分じぶん落 おとした。 暗黒あんこくにずっと、 もう捧ささぎに泣なかない！ ＊一人ひとり慣 なれた、 思おもいは鼻息はないき生 うむと、 奇麗きれいな背中せなかと 色いろっぽい目めを思おもえ、 愛あいしたい。 可愛かわいいと私的してきな 女おんなを捜さがす。 ＃人ひとは愛あいしほど厭いといたい？！ 僕ぼく懸念 けねんほど 近ちかいほど才能さいのうない存ぞんじ。 First strikeファースト　ストライクをずっと探さがした、 敵てきは狩人かりゅうど成なった。 ＠人ひとは愛あいしほど過すぎ？！ 僕ぼく落 おち度どほど 問といたいほど不必要ふひつようだ！ 直々なおなおなパートナー見みれば、 漬づけ、 キスが取とりたい。 ＊ ＃ ＠ 仲好なかよしは愛あいついて ずっと“奇麗きれい”と言いう、 でももう交戦こうせんを勝かちなかった！ ＃ ＠

Dong1 gou3-bit6-liu5 lyun2jan4 Dong1 ngo5 lok6-bok3 sat1-wan4 Zung2 wui4 min6-deoi3 haak1-ngam3 Yeung4-yin4 bit6 zoi3 lau4-leoi6 hei1-saang1 * Dong1 ngo5 zaap6-gwaan3 jat1-jan4 Dong1 ngo5 zoi6 nou5-hoi2 zi6-zai3 hing3-fan5 Soeng2-hei2 neoi5-bun6 bui3-bou6 mei5-gam2 Ngaan5-bou6 naa5-yoeng6 sing3-gam2 Jau6 wui4 san1-sam1 gaai2-gam1 Zaau2 go3 ngoi6-biu2 kap1-yan5–dung6-yan4 Tin1-sing3 zi6si1 dik1 neoi5-jan4 # Jan4 zam2 wui4 jyut6 ngoi3 jyut6 jiu1 han6 Ngo5 jyut6 pa3 jyut6 zip3-kan5 Ngo5 jyut6 kan5 jyut6 gok3 mut6 jau5 tin1-fan6 Hoi1-ci2 zung2 soeng2 dou3 sin1-faat3-zai3-yan4 Deoi3-fong1 dou3 zeoi3-hau6 bin3 lip6-jan4 @ Jan4 zam2 wui4 jyut6 ngoi3 jyut6 gwo3-fan6 Ngo5 jyut6 co3 jyut6 jiu1/3 man6 Ngo5 jyut6 man6 jyut6 si6 mei6 cing1-sam1 Dong1 zaau2-dou3 fuk6-cung4 zam2-bin1-jan4 Sam1 yan5 Jau6 wui4 soeng2 tau1 jat1 go3 man5 * # @ San1-bin1 hou2-yau5 mui5 syut3 dou3 ngoi3-cing4 Wing5-jyun5 syut3 dak1 piu3-loeng6 Zik1-si2 zan1-seung1 naa5-jau5 sing3gwo3 jat1-zoeng3 # @ Quando l’ho lasciata, Quando mi son perso… «Sempre starò al buio, Mai più mi sacrificherò!» * Avvezzo a star solo, Se la mia mente eccita me Penso alla sua bella schiena, Ai suoi occhi sexy E tutto in me vuol riamar. Cerco donna di natura Egoista, bella assai. # Più s’ama, più si vuole odiar?! Più temo e più vicin Sto e più sento, non ho talenti. Colpir primo volevo sempre, Ma l’altro ora è cacciator. @ Più s’ama e più s’esagera?! Più sbaglio e più domando E più che io di peso son! Donna obbediente mia droga Sarà, Baci vorrò a lei rubar. * # @ Se gl’amici parlan d’amore, Dicon sempre «È bello», Ma la guerra non hanno vinto mai! # @ Printout Final Hanashita toki Jibun otoshita Ankoku ni zutto Mô gisei ni nakanai" * Hitori nareta. Omoi wa hanaiki umu to, Kirēna senaka, to Iroppoi me wo omoe, Nidoto Ai shitai Kawaii to shiitekina Jo wo sagasu # Hito wa hoai shi hodo itoitai Boku kenen hodo Mukae hodo kisaisainô nai ki surozonji Fāasto straik zutto sagashita, Teki wa haryūdi natta ＠ Hito wa ai shi hodo sugi Boku ochido hodo Toitai hodo fuhitsuyô da Naonaona pātnā mireba, Duke, Kisu woga toritai. ＊ ＃ ＠ Nakayoshi wa ai tsuite Zutto "Kirē" to iu, Demo mô kôsen wo kachinakatta ＃ ＠ Hanashita toki, Jibun otoshita. Ankoku ni zutto, Mô sasagi ni nakanai! * Hitori nareta, Omoi wa naiki umu to, Kireina senaka to Iroppoi me wo omoe, Ai shitai. Kawaii to shitekina Onna wo sagasu. # Hito wa ai shi hodo itoitai?! Boku kenen hodo Chikai hodo sainô nai zonji, Fāsuto sutoraiku wo zutto sagashita, Teki wa karyūdo natta. ＠ Hito wa ai shi hodo sugi?! Boku ochido hodo Toitai hodo fuhitsuyô da! Naonaona pātonā mireba, Dzuke, Kisu ga toritai. ＊ ＃ ＠ Nakayoshi wa ai tsuite Zutto "Kirei" to iu, Demo mô kôsen wo kachinakatta! ＃ ＠